析《拙政园诗馀》中所塑造的词人形象  

Images of Poets in "Poems on Zhuozhengyuan Garden"

作　　者：李艳菁[1] 

机构地区：[1]福建警察学院基础部,福建福州350007

出　　处：《龙岩学院学报》2011年第3期53-56,共4页Journal of Longyan University

摘　　要：在中国女性词史上,徐灿与李清照相提并论,是开拓词风的关键人物,是清朝女性中将丰厚的意蕴与词的特有体式美结合起来的第一人,也是李清照之后三百余年间成功地改造女性词作偏于轻软浅切词风的词人。她在词作《拙政园诗馀》中,成功地塑造了伤春悲秋的思妇、杨花飘零的羁旅者、归隐山林的隐者等词人形象,借此来表现自己深曲隐秘的内心世界。In the history of Chinese woman poetry,Xu Can is placed at the same level as Li Qingzhao.As an important pioneer of poetry style,she was the first person who combined the rich flavor with unique style of poetry,and also a successful poet who changed the superficial style of woman poetry over 300 years after Li Qingzhao＇s time.She successfully described sorrowful women in love,lonely travelers,and hermits in mountains and forests,so as to express her deep intimate feelings in her ＂Poems on Zhuozhengyuan Garden＂.

关 键 词：徐灿 《拙政园诗馀》 词人形象 

分 类 号：I207.23[文学—中国文学]