从《叶甫盖尼·奥涅金》解读普希金的阿尼玛原型  

Interpretation of Pushkin's Anima Prototype from the Eugene Onegin

作　　者：李蓉蓉[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《华北水利水电学院学报（社会科学版）》2011年第3期83-85,共3页Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

摘　　要：普希金在创作《叶甫盖尼·奥涅金》时,对女主人公达吉雅娜的形象塑造投入了自己最深厚的情感,他将自己的生活和精神历程投射于女主人公的形象中。在达吉雅娜身上可以看出与普希金相似的精神状态,也可看出普希金把自己某些缺失的精神层次寄托于达吉雅娜的形象上。达吉雅娜不仅是普希金塑造的一个人物,更是普希金潜意识中的女性一面,折射出普希金的生命追求和人格魅力。While creating the Literary work Eugene Onegin,Pushkin put his deepest emotions into the characterization of the heroine.He put his own life and spiritual journey projected onto the image of the heroine.In Tatiana,we can see the similar state of mind with Pushkin,and can also see some of his own lack of Pushkin＇s spiritual level lies in the Tatiana＇s image.Tatiana is not only the shape of a character described by Pushkin,but also the female side of the subconscious Pushkin.she reflects the pursuit and personal charm in Pushkin＇s life.

关 键 词：普希金 阿尼玛原型 达吉雅娜 “女性变体” 

分 类 号：I106.4[文学—世界文学]