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作 者:孔瑞珠
出 处:《湖南工业大学学报(社会科学版)》2011年第3期54-57,共4页Journal of Hunan University of Technology(Social Science Edition)
摘 要:20世纪80年代,知青题材小说中的乡恋之歌久唱不衰,90年代乡恋之歌的余音仍可听到,但细细辨听同一首歌音调却不尽相同。相对80年代在乡土上寻找精神家园,90年代的乡村赞美更多的带有一种功利性,这除了与中国经济制度的改革、文化的转型紧密相连,还与作家心态变化密切相关。同时,曾在80年代知青小说中集体失语的农民,对于这种近似单相思的乡村之恋,由他们的后裔做出了迟来的回应——恨。In the 1980s,country love themes were occurred in intellectual youth novels and they continued to appear from time to time in the 1990's.However,a closer look at the subjects may cast light on some differences.In contrast to the 1980's duty to seek for a spiritual home in the countryside,novels of the 1990's were more utilitarian than melodious,which were not only related to Chinese reform of economic system and cultural transformation but also connected to the author's psychological changes.Meanwhile,those farmers or peasants who had all lost their voices in the 1980's novels were represented by their descendants who answered the unrequited country love with hate.
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