从《儿女英雄传》看文康的小说创作理论  

A Discussion on the Novel Writing Theory of Wen Kang Based on The Tale of Heroes

作　　者：王伟康[1] 

机构地区：[1]扬州职业大学人文学院,江苏扬州225009

出　　处：《扬州大学学报（人文社会科学版）》2011年第3期80-85,共6页Journal of Yangzhou University(Humanities and Social Sciences Edition)

摘　　要：《儿女英雄传》及其序文揭示了文康的小说创作理论。斯理论具有较充实的内蕴:"其旨少远、词近微、文可观、事足鉴者"方为上乘小说;提倡塑造既具"英雄至性",又有"儿女真情"的复合式人物性格;严格区分"正附、主宾、伏应、虚实",潜心设置"闲笔闲墨"的结构法则。文康的小说创作理论表现了重视反映社会现实,强调文学的讽谕作用,着意发挥章回体小说的艺术功能等积极意义。The Tale of Heroes and its preface reveal the author＇s novel writing theory,which is rich in content.It brings forth some standards for first-class novels,advocating the shaping of the multi-layered character of the protagonists and the delicate composition of the narrative structure.The novel writing theory of Wen Kang not only stresses the mirror of social reality but also underscores the positive functions of the Chinese traditional genre——Zhang Hui——in story telling.

关 键 词：《儿女英雄传》 文康 小说创作理论 

分 类 号：I206.2[文学—中国文学]