东欧现代神话作品艺术表现研究——《彼得堡》的四维神话空间  

Study on the artistic expressions of the modern mythological works in Eastern Europe——the four-dimensional myth of Petersburg

作　　者：郑芷莲[1] 

机构地区：[1]青岛科技大学外国语学院,山东青岛266061

出　　处：《青岛科技大学学报（社会科学版）》2011年第2期113-116,共4页Journal of Qingdao University of Science and Technology(Social Sciences)

基　　金：山东省文化厅重点项目(201001004)

摘　　要：《彼得堡》是俄罗斯象征主义作家安德烈.别雷的代表作。这部作品囊括了东欧区域现代神话思想的精髓,以彼得堡神秘的四维空间为主要特征,彰显了东欧现代神话作品的艺术魅力。在小说中,作家创作的城市形象具有明显的现代神话特征:既有作家重新创造的特点,又有作家综合性运用神话的技巧。结合当时社会所处的状况和作家的思想观念,我们可以断定,他创作的彼得堡这座城市形象带有末世论的特点,具体来说,更多展示的是城市陨落的迹象和画面。Petersburg is the representative works of Russian symbolist writer Andrey Bely.Embracing the quintessence of the modern mythological mentality in Eastern Europe,this novel is chiefly characterized by the mystical,four-dimensional space,and reveals the artistic appeal of the modern mythology of the Eastern Europe.In this novel,the city image has obviously the characteristics of the modern mythology,in which the reproduction and comprehensive employ of the mythology by the author are integrated as a whole.According to the then society and the ideology of the author,we decide that the image of the Petersburg City has some characteristics of the eschatology,which,generally speaking,are reflected in the sign and picture of the city ruin.The focus of this paper falls on the mythical characteristics of the space in Petersburg.

关 键 词：四维空间 《彼得堡》 神话诗学 

分 类 号：I106.4[文学—世界文学]