羊城革命的史诗叙事——《三家巷》的艺术传奇故事  

Epic Narration of Guangzhou Revolution——An Artistic Legend of The Three Family Alle

作　　者：黄贤君[1] 

机构地区：[1]暨南大学中文系,广东广州510632

出　　处：《长江师范学院学报》2011年第3期1-8,157,共8页Journal of Yangtze Normal University

摘　　要：小说《三家巷》不是红色经典中最富有影响力,但却是独具特色的。这是首部反映岭南革命历史的南方红色经典,因被认为真实地描绘了"沙基惨案"、"广州起义"等革命事件,塑造了周炳等动人工人形象而深入人心。事实上,诞生于"万里江山一片红"年代的《三家巷》在描写二十年代广州革命事件与塑造工人群体的时候,必定对"虽败犹荣"的历史进行一定的艺术改写,对当时尚且稚弱的党与工人给予美化夸饰,历史与真实相去甚远。这既是革命家欧阳山对广州这座英雄城市的独特理解,也是其富有高度政治意识的重要体现,更是那个特殊年代所有红色经典作家都会普遍遵循的艺术法则。Among red classics,the novel The Three Family Alley is not the most influential,but it has its unique characteristics.It is the first red classic in southern China to reflect the revolutionary history of Lingnan.It enjoys popular support as it is believed to have authentically depicted such revolutionary events as ＂Shaji Massacre＂ and ＂Guangzhou Uprising＂ by molding touching images of workers like Zhou Bing.In fact,in describing the Guangzhou revolutionary events and molding worker groups,The Three Family Alley,written in the age when the whole country was all red,had to make artistic adaptation to the history of ＂feeling proud even in defeat＂,and to exaggeratedly beautify the Party and workers that were then weak in strength.As a result,there is a great gap between the story and the historical truth.This is the revolutionist and writer＇s unusual understanding of Guangzhou,the heroes＇ city,and it highly embodies the writer＇s profound political consciousness.Besides,it is an artistic rule that was universally followed by all the red classic writers during that special age.

关 键 词：《三家巷》 艺术改写 历史美化 真实性 

分 类 号：I206.7[文学—中国文学]