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作 者:雷斌[1]
出 处:《四川文理学院学报》2011年第4期79-82,共4页Sichuan University of Arts and Science Journal
摘 要:接受理论把读者的文学感受和审美再创造纳入到整个文学创作活动中,文学感受就是一种审美的文学感觉,它依靠想象超越了日常感觉的混沌、无聊和焦虑,也超越了认识和道德感觉的利害性。诗歌作为语言的艺术,读者的审美感受通过和诗歌语言文本的对话、填空和完形,获得对文学形象的具体感受和体验,诗所显示的相关物就会无限度地敞开自身的本性。According to Reception Theory, reader' s literature sense and the appreciation of beauty for a re - creation is a part of the whole literature creations and literature sense is a kind of appreciation of beauty, which surpasses the disorder, fastidiousness and worries in daily lives as well as the interest of cognition and morality. When they read poetry as an art of language, readers would have a dialogue with text of poetry and doze it, then obtain specific senses on the literature imagination and the nature of concerned things in poetry would be unlimitedly opened to readers.
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