川端康成小说创作的生态审美意识  

Ecological Aesthetics of Kawabata Yasunari's Works

作　　者：李鹏飞[1] 

机构地区：[1]内蒙古科技大学人文与社会科学学院,内蒙古包头014010

出　　处：《日本问题研究》2011年第2期56-60,共5页Japanese Research

基　　金：内蒙古科技大学创新基金项目(2009NC103)

摘　　要：生态审美观是20世纪70年代以后出现的新形态的审美观念。生态美学主张更为可行的"生态人文主义"与"生态整体主义",兼顾人类发展与环境保护的和谐。川端康成虽是20世纪早期的一位作家,但在其作品中却超前性地具有"天人合一"的审美意识,在其小说创作中常以绚丽多姿的自然风光为背景,以丰富多变的季节转换为衬托,去展现无限生机的人性自然,塑造了一个个自然之子形象。同时,作者从整体主义思想出发,对现代工业文明对自然的破坏深感忧虑。他的生态审美意识既来自于对传统的继承,也是对传统的超越,对当代作家的创作及读者的审美倾向都具有启示作用。Ecological aesthetics was born in 1970s as a new concept in aesthetics. The Ecological aesthetics advocates more feasible Ecological Humanism and Ecological Holism to benefit harmony of the human development and environmental protection. Kawabata is a writer in the early period of the 20~h cen- tury, but his works has the unique aesthetics of ＂Human and Nature in harmonious One ＂ ahead of his time. His novel takes often the colorful natural scenery and the rich and changeful seasonal transition as the background to manifest the humanistic nature full of endless vitality, and creates the sons of nature. With Holism, the writer worries severely the damage to the nature done by modern industry civilization. His ecological aesthetics not only succeeded from tradition, but also surpassed tradition, giving inspiration to creation of contemporary writers and to readers＇ aesthetics.

关 键 词：川端康成 生态审美 自然人性 人性自然 

分 类 号：I106[文学—世界文学]