近代歌谣:村妇生活的凭据——以江南为例  

The Modern Ballads: Evidence of Countrywomen's Life: A Case Study in the South of the Yangtze River

作　　者：小田[1] 

机构地区：[1]苏州大学历史系,教授215234

出　　处：《江苏社会科学》2011年第4期203-211,共9页Jiangsu Social Sciences

基　　金：江苏省哲学社会科学基金项目"近代江南村妇生活研究"(09LSB008)阶段性成果;苏州大学高级人才引进项目资助

摘　　要：江南歌谣以民间-民众-乡村-妇女-地方-日常的粘着性可以成为村妇生活的凭据,但歌谣首先依循艺术理路:聚焦实际生活,着意渲染情感,凸显主要特征。对歌谣的史料学考量,一方面需要从歌谣中析出相关元素,解构原有歌谣,滤化艺术情感,抽象民众观念,进行"去艺术化"处理;另一方面,依据歌谣的内容和歌谣的存在环境及其存在方式对其进行时代性确认。所有这一切,要求我们在史学与艺术的跨学科对话中进行。The ballads of the southeastern China may well be regarded as the proof of country women＇s life for the continuum of folk society, the common people, the countryside, women, locality and daily life. However, a ballad must first of all conform to the art thought trace, focus actual life, exaggerate emotions with great care and display the primary features. On the one hand, we should separate the correlative factors from a ballad, deconstructing the original ballad as a whole, filtering its artistic feelings, abstracting its ideas of the people, and undergo the process of ＂de-artistry＂ when studying it in the sight of historical data; on the other hand, we should identify its age characteristics in accordance with its content, background and existent ways. All of the above require us to study it in an interdisciplinary communication between history and art.

关 键 词：江南歌谣 历史凭据 村妇 艺术 

分 类 号：K25[历史地理—历史学]