面对历史与艺术的当代意识——评新编历史京剧《成败萧何》  

A Review upon Newly Created Historical Peking Opera "Xiao He both as a Winner and a Loser"

作　　者：汪人元[1] 

机构地区：[1]江苏省文化厅,江苏南京210005

出　　处：《艺术百家》2011年第4期97-102,共6页Hundred Schools In Arts

基　　金：国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一

摘　　要：京剧《成败萧何》是新时期以来继《曹操与杨修》之后又一部十分精彩、厚重、令人振奋的史剧佳作。它以严肃但又充满发现与创造的姿态面对历史,寻求着历史文化中能够穿透古今、贯通世事人心的精神内涵;作为与时代同步的艺术创新,它又在清晰的戏曲本体价值认定的前提下,完成着对戏曲艺术的承续与再创。而这样两个方面,正是今天新编历史剧创作中应有和可贵的当代意识。Peking opera ＂Xiao He both as a Winner and a Loser＂ appears to be an excellent,fascinating and exciting historical drama.It faces history with a serious and innovative pose,from which searching for spiritual connotation penetrating through past time and into human soul.As a contemporary successful example of art innovation,it both inherits as well as revives drama itself based upon its noumenon merits.Such two aspects are salutary contemporary consciousness newly-created historical drama should own.

关 键 词：戏曲艺术 历史 艺术创作 京剧艺术 《成败萧何》 当代意识 

分 类 号：J801[艺术—戏剧戏曲]