唐昭宗御制《菩萨蛮》的历史解读  

The Historical Interpretation of The Tune of Buddhist Dancers Composed by Tang Zhaozong

作　　者：刘振乾[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《南华大学学报（社会科学版）》2011年第3期84-86,108,共4页Journal of University of South China(Social Science Edition)

摘　　要：唐昭宗登齐云楼,令乐工歌御制《菩萨蛮》。诸王及臣工皆有和作。通过对《菩萨蛮》(登楼遥望秦宫殿)的作品考辨,发现其中隐含着重要政治信息。这首以"思归"为主题的《菩萨蛮》歌曲,实质上是李晔借助《菩萨蛮》音乐传播方式,召集各路兵马勤王的号令。When ascending the Qi Yun Tower,Tang Zhaozong commanded musicians to compose The Tune of Buddhist Dancers.The nobilities and musicians all participated in its responsive composing.Through analyzing The Tune of Buddhist Dancers（Ascending tower to look up the Qin palace）,this paper found that the poem song implied important political information.By means of the musical way of The Tune of Buddhist Dancers which was themed in ＂thinking of returning＂,Li Ye（Tang Zhaozong） was actually making a call to convene loyalist troops from various quarters to safeguard the monarch.

关 键 词：唐昭宗 菩萨蛮 齐云楼 韩建 

分 类 号：I206.2[文学—中国文学]