从同一美学看当代文坛警察形象  

Looking at the Image of Police in Modern Literature from the Perspective of Identical Aesthetics

作　　者：叶从容[1,2] 

机构地区：[1]广州大学人文学院,广东广州510006 [2]中山大学中文系,广东广州510275

出　　处：《政法学刊》2011年第3期119-122,共4页Journal of Political Science and Law

基　　金：国家社科基金项目"洛特曼研究与中国当代文论新视角"(05BZW011)

摘　　要：中国当代文坛塑造了众多公安人员形象,流露出比较明显的同一美学特征。上世纪九十年代以来,具有同一美学形态的文学创作受到质疑,警察形象塑造呈现多元化态势;同时在大众审美品位的左右下同一美学色彩又得以强化,表现出类型化、通俗化的倾向。警察形象的成功塑造有待于对同一美学作扬弃,克服消费时代文学文本常有的浅表化和雷同化倾向,以求新的突破。Chinese modem literature has molded many police images, which reflects rather obvious identical esthetics. Since 1990th, the literary works with identical esthetics suffer from great doubts and the module of police image tends to be diversified. The successful module of police images depends on the inheritance and development of identical esthetics, overcomes the trends of being superficial and similar in literary texts and seeks innovations.

关 键 词：同一美学 警察文学形象 后现代主义 

分 类 号：DF8[政治法律—法学]