陈善对黄庭坚诗学的评价与鼓唱  

On Chen Shan's Comments and Appraises of Huang Tingjian's Poetic Theories

作　　者：吴晟[1] 

机构地区：[1]广州大学人文学院

出　　处：《广西民族大学学报（哲学社会科学版）》2011年第4期164-169,共6页JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION

基　　金：广东省哲学社会科学"十一五"规划项目:"江西诗学的知性反省:南宋诗学研究"(08J-08)

摘　　要：陈善评价黄庭坚诗格极于高古,"高"即高风绝尘、超凡脱俗;所谓"古"包含"诗中有文"即"以文为诗"之意,指既守诗歌法度又超越法度之外,既刻意为诗又不留雕琢痕迹,达到了"简易而大巧出焉,平淡而山高水深"即"不烦绳削而自合"的艺术境界,是"活法"的具体运用。陈善论诗又主"气韵"、主"格",与黄庭坚一致。陈善对黄庭坚提出的诗法,或转述加以评点;或摘其要点加入自己的理解和发挥,时有与当时传统看法不同之处,无论从主观上还是客观上,对江西诗学都起了鼓唱弘扬的作用。Chen Shan appraises the classic elegance of Huang Ting jian＇s style of poetry,saying his poems are free from vulgarity and more poetic.His poems are more than just poems,reaching an artistic realm for their felicity and subtlety under the cover of simplicity and flatness.What＇s more,Chen Shan sometimes retold,sometimes commented on,and sometimes improved Huang Tingjian＇s poem writing theories with his own understanding.And sometimes he has views different from the traditional ones,thus promoting and developing Jiangxi Poetics subjectively or objectively.

关 键 词：陈善 黄庭坚 高古 气韵 评价 

分 类 号：I207.2[文学—中国文学]