音乐符号的内涵文法与外延文法  

Musical Signs:Connotative and Denotative Grammar

作　　者：林华[1] 

机构地区：[1]上海音乐学院作曲系

出　　处：《音乐艺术（上海音乐学院学报）》2011年第2期53-60,4,共8页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：现代哲学通过对符号的研究解释艺术美的生成。文化音乐以宣泄情感为主,可以袭用原始符号以意象自由组合的内涵文法为原则;艺术音乐表现理性意象,必须借用现实符号以逻辑安排为原则的外延文法,通过隐喻而消解它的现实性构成音乐幻象,从而由艺术的符号成为艺术符号。Modern philosophy interprets the generation of artistic beauty by studying signs.Cultural music mainly functions for the outlet of emotion,with connotative grammar as its principle freely composed by image through original signs.Artistic music for rational image should turn to denotative grammar for its principle arranged logically by realistic signs,in which it makes up a musical phantom by removing its reality through metaphors.In this process artistic signs become art signs.

关 键 词：符号 内涵 外延 感性 理性 

分 类 号：J601[艺术—音乐]