沈从文文学理论的审美现代性品格  

Study on the Aesthetic Modernity of Shen Congwen's Literary Theory

作　　者：林铁[1,2] 

机构地区：[1]暨南大学文学院,广东广州510632 [2]吉首大学文学院,湖南吉首416000

出　　处：《吉首大学学报（社会科学版）》2011年第4期34-38,共5页Journal of Jishou University(Social Sciences)

基　　金：湖南省社会科学基金项目(2010YBB278)

摘　　要：沈从文文学理论的审美现代性品格从三个层面展开,一是通过反对文学政治工具化和商业利益化来积极主张文学艺术的独立性,二是,通过对文学艺术审美形式的强调,进一步阐释和守护文学艺术的自律性,三是,对审美独立和审美形式的强调最终落实到人类生命的审美品格上,换言之,就是将审美问题与人生问题结合,通过审美的途径获得人生的救赎。区别于西方语境中审美现代性的独立与救赎的内涵,沈从文的独特性在于,把作为文学本质规律的审美,作为学科自治的现代文学,作为社会实践的美育结合在一起,充分体现了中国现代审美理想的时代特征、民族精神和现实指向,构成了中国式审美思想的一个重要的现代传统。Western modern thoughts must he indigenized when they come into Chinese modern literary theory. When the aesthetic modernity of anti-enlightenment rational was brought into the field of enlightenment, independent spirit and non-utilitarianism of literature aesthetic were endowed with utility color. Shen Congwen advocated the independence of literature and art. Furthermore, he explained and protected self-discipline character of literature and art in the way of emphasizing literature aesthetic form, whereas, emphasis of the aesthetic independence and aesthetic forms finally falls onto the aesthetic of human life. In other words, the issue of aesthetic and life are combined in this way, and life salvation is obtained through ways of aesthetic. He advocated ＂divine nature＂ of aesthetic idealism to deny phenomena of realistic secular survival, philistine and mammonism,and in this way to achieve the ideal of aesthetical survival.

关 键 词：沈从文 文学理论 审美现代性 独立 形式 救赎 

分 类 号：I206.6[文学—中国文学]