中西传统木版画比较研究导论——以丢勒和陈洪绶个案为例  

Comparing Research on Traditional Wood Cut Prints of China and Those of the West——Taking the Comparison between Albrecht Durer and Chen Hongshou as an Example

作　　者：刘波[1] 

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2011年第4期96-100,166,共5页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：本文通过考察中西传统木版画的发展过程,结合重点版画家个案研究,在社会、政治、宗教、文化的背景下,不同的中西画家的社会属性和个人理想,版画语言的审美特征,主流绘画语言和版画语言的转化,版画的形制等诸多方面比较中西传统木版画的异同及其影响和交流。Through investigating the developing processes of traditional wood cut prints of China and those of the west,together with case study of some important artists of this area,on the back ground of society,politics,religion and culture,this thesis has made comparison between wood cut prints of China and those of the west,as well as their influences and communication on aspects as different artists?social attributes and personal ideals,aesthetic characters of their print languages,transformation between main-stream painting language and that of wood cut prints.

关 键 词：传统木版画 丢勒 陈洪绶 转化 距离 

分 类 号：J237[艺术—美术]