从传统到现代:俞平伯三十年代散文中的意境  

From tradition to the Modern Times: Poetic Imagery in Yu Pingbo' Essays in the 1930s

作　　者：王美芸[1,2] 

机构地区：[1]福建广播电视大学文法系,福建福州350003 [2]华东师范大学文学院,上海200241

出　　处：《华北水利水电学院学报（社会科学版）》2011年第4期110-113,共4页Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

基　　金：国家社会科学基金项目(08BZW049)<百年中国散文:作为一种文类的研究>阶段性成果

摘　　要：俞平伯20世纪30年代的散文,蕴含着一种幽秘、含蓄的意蕴与意境,且擅于运用想象、联想、隐喻等传统修辞方式。然而,俞平伯的散文不仅仅在于对传统资源的汲取,更有意思的是,其通过花鸟、山水、月色、梦等意境与意象的选择,使文学传统在现代文本创作中找到存在的合理方式,并在现代时空艰难选择与重构中寄怀对于民族精神的思索,打通了传统与现代的隔阂,显得颇有积极的意义。Yu Pingbos＇ essays in the 1930s contain a secret,implicit meaning and poetic imagery,and they are good at applying imagination,association and metaphor,and so on traditional arts of rhetoric.While,the characteristic of Yu Pingbo essays＇ is that not only that they derive traditional resources the essence,but also more interesting is through choosing flower-and-bird,landscape,moonlight,dream and so on poetic imagery and imagery,they make literary traditions to find reasonable way in modern literary creation,have reposed thought of national spirit from tough choices and refactor in modern space-time,break through the barriers between tradition and modern,and therefore appear more meaningful.

关 键 词：俞平伯 散文 意境 传统 现代 

分 类 号：I207.6[文学—中国文学]