美国诗歌史语境下的《嚎叫》  

"Howl" in the Context of the History of American Poetry:A Case Study of the Art of Postmodern Poetry

作　　者：李嘉娜[1] 

机构地区：[1]福建师范大学外语学院

出　　处：《国外文学》2011年第3期103-110,共8页Foreign Literatures

基　　金：福建省社科规划一般项目<美国后现代诗歌艺术研究>(编号2010B157)系列论文之一

摘　　要：《嚎叫》开启了20世纪下半叶一场影响深远的文学和文化革命。然而,评论界多从历史的横断面切入研究由《嚎叫》引发的垮掉派,或者就垮掉派论《嚎叫》,那样都难以看清它在诗歌史上的革新意义。垮掉派终究是一场以诗歌为中心辐射到其他的文化运动,如果从美国诗歌史的纵坐标来厘清它,可能更接近诗人的初衷。＂Howl＂ initiates both a cultural and literary revolution in the 1950s. However, it has been more studied with regard to its cultural effect upon the Beat or the effect of the Beat upon ＂Howl＂, rather than valued from a poetic perspective. Either approach would diminish its poetic integrity. The Beat above all was a movement evolving from ＂Howl＂ to other areas, and ＂Howl＂ is better appreciated when placed in the context of history.

关 键 词：《嚎叫》 诗歌史 诗体 开放 误读 

分 类 号：I712[文学—其他各国文学]