英国浪漫主义时期女性作品文学性和主体性探讨  

On Literariness and Subjectivity of British Women Writing during the Age of Romanticism

作　　者：范丽娟[1] 于文秀[2] 

机构地区：[1]哈尔滨师范大学,哈尔滨150080 [2]黑龙江大学,哈尔滨150080

出　　处：《外语学刊》2011年第5期135-138,共4页Foreign Language Research

基　　金：2010年黑龙江省哲学社会科学专项基金资助项目(10D057);黑龙江省留学回国人员科技活动择优资助项目(黑人社函[2011]297号);黑龙江大学汉语语言文学院博士后流动站"浪漫的性别言说:英国浪漫主义时期女性写作研究"的阶段性成果

摘　　要：本文以18世纪末19世纪初英国浪漫主义时期女性写作为研究对象,探讨女性作品的文学性和主体性的表现和关系,从社会历史和语言哲学的视角,挖掘阐述18世纪的理性启蒙思潮对女性主体意识的觉醒和女性写作的促进作用,着重论述女性作为文学阅读的主体和作为写作的主体的表现,以及对英国小说的兴起和发展做出的贡献。Focused on British women who wrote between the 18th and 19th centuries, this essay attempts to illustrate the literariness and subjectivity and the bi-relationship in women literary works. From the view-point of social-historical theory and linguistic philosophy, this essay holds that the rational enlightenment of the 18th century stimulates the awareness of women＇s subjective consciousness and encourages the development of women as authors, particularly as embodied in two aspects： female character as important characters in novels and other writings, and women as authors. The great contribution women made to English literature.

关 键 词：语言哲学 英国浪漫主义 女性主体意识 文学性 

分 类 号：I106.4[文学—世界文学]