哲学诠释学的艺术经验论及其局限性  

The Art Experience of Philosophical Hermeneutics and Its Limitation

作　　者：孙丽君[1] 

机构地区：[1]山东大学哲学与社会发展学院,山东济南250014

出　　处：《上海大学学报（社会科学版）》2011年第4期56-68,共13页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社科基金后期资助项目(10FZW010)

摘　　要：哲学诠释学将海德格尔的世界发展为传统,将人类活动分为以使用为目的和不以使用为目的两种,艺术活动是不以使用为目的的人类活动。艺术经验是艺术的本质,是真理和传统变化的根本动力。艺术作品的力量,构成了哲学诠释学艺术经验理论的难点,语言与诗在本质上的含混性,使得艺术经验理论在艺术创作问题上陷入了神秘性沼泽。对开端处和形而上学的迷信,也构成了哲学诠释学艺术经验理论的局限性。The philosophical hermeneutics develops Heidegger＇ s world into tradition,and divides human activities into two parts,that is,the activity aimed to use and the activity aimed not to use.And the art activity belongs to the latter.The art experience is the essence of art,and also the ultimate impetus of change for truth and tradition.While,in the impetus of change for ontology,the philosophical hermeneutics is fantastic,the art experience of the philosophical hermeneutics,in the orientation of social developing,is evident reasonable.The trust to the descriptive method of phenomenology is the root of the limitation of philosophical hermeneutics.

关 键 词：存在 传统 艺术经验 局限性 

分 类 号：B151[哲学宗教—世界哲学]