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作 者:王铭玉[1]
机构地区:[1]天津外国语大学
出 处:《俄罗斯文艺》2011年第3期103-108,共6页Russian Literature & Arts
基 金:教育部人文社会科学重点研究基地2006年度重大项目<现代语言符号学>(06JJD740009)的阶段性成果
摘 要:洛特曼及其莫斯科-塔尔图学派一直备受世界符号学界的关注,该学派基于对俄罗斯文学、文化、历史的独特观察而形成的文化符号学理论在世界范围内享有盛名。洛特曼一生勤于治学,思想丰富,尤其是关于符号的模式化系统思想和符号域思想对语言和文化研究具有重要的启示意义。符号体系可分第一模式化系统和第二模式化系统,二者同源、同构,却互有区别,语言和文化现象是二者的代表,彼此互为方法、互相影响,可以促进语言文化学的发展。符号域是一种符号学视野下的文化观,是民族文化符号系统产生、活动、发展的空间和载体,其典型特征是在"动态平衡"中体现文化要素的性质,它是研究语言文化学的一种有效方法和途径。Lotman and the Moscow-Tartu School have always been the academic focus of world semiotics. The Moscow-Tartu School enjoys a well-established reputation in the world by its theory of cultural semiotics which is built upon the extraordinary observation of Russian literature, culture and history. As a scholar, Lotman worked very hard all his life and had plenty of great ideas; particularly, his modeling system of symbols and his idea of semiosphere provide enlightenment for the studies of language and culture. To Lotman, symbology can be classified into the primary and the secondary modeling systems. The two systems are homologous and isomorphic, although different from one another. They are represented by the phenomena of language and culture and are able to promote the development of linguistic culturology when they offer methodologies to each other and exert influences upon each other. Semiosphere is a cultural point of view in semiotics. It provides space and vehicle for the production, activity and development of national cultural symbol system, characterized by the nature of cultural elements in a dynamic equilibrium. Above all it offers an effective way and method to study linguistic culturology.
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