京剧大师张君秋发声特点初探  

Tentative Study on Articulatory Features of Peking Opera Master Zhang Junqiu

作　　者：薛丽春[1] 

机构地区：[1]连云港师范高等专科学校初等教育系,江苏连云港222006

出　　处：《江苏海洋大学学报（人文社会科学版）》2011年第12期94-96,共3页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：京剧大师张君秋把京剧声腔艺术推到一个新的顶峰,他掌握了包括口腔的运用、喉头的运用、音量的控制、气息的控制、共鸣的掌握、吐字的掌握、气口的使用技巧等一整套科学独特的发声方法,其演唱方法和发声特点的形成,为业界如何"师法"提供了宝贵的经验。Master Zhang Junqiu has advocated the tune art of Peking Opera into a new era. A set of scientific and unique vocalization has been possessed by him including the use of vocal orga＇ns and the control of volume, breath, resonance, etc. Master Zhang＇s opera tune and articulatory features have shed much new light on the instruction in this line.

关 键 词：张君秋 京剧 唱腔 发声特点 

分 类 号：J821.2[艺术—戏剧戏曲]