后现代的“恐怖”演绎——恐怖小说《丽赛的故事》的后现代主义解析  

Interweaving Postmodernism and "Horror"

作　　者：林小平[1] 

机构地区：[1]集美大学外国语学院,福建厦门361021

出　　处：《长江大学学报（社会科学版）》2011年第6期29-32,193,共4页Journal of Yangtze University（Social Sciences Edition）

摘　　要：美国恐怖小说大师斯蒂芬·金在小说《丽赛的故事》中,通过对女主人公丽赛与其亡夫在生死两隔的异度时空之间自由交流的情境展开后现代叙述,为读者悉心打造了一个充满深爱、悬疑而又血腥的恐怖的情感故事。后现代主义小说创作手法与恐怖小说创作手法结合,既能增加恐怖效果,又能以"恐怖"的方式推动后现代主义文学的发展。In Lisey's Story which was written by Stephen King,the famous writer of horror fiction tried his best to exhibit the arbitrary dialogue between Lisey and her late husband Scott who was not only a famous writer but also the murderer who had killed his own father and elder brother.In addition to the technique of 'horror',Hassan Ihab's theories about postmodernism: indetermanence,anti-narrative,and schizophrenia are deftly employed in this story,which is full of love,suspicion and blood.Analyzing the postmodern traits in this novel is bound to contribute to readers' better understanding of it.

关 键 词：《丽赛的故事》 恐怖小说 后现代主义 

分 类 号：I106.4[文学—世界文学]