皖南发现的青铜剑纹饰及初步研究  

Patterns on the Swords Unearthed in South Anhui and Initial Research

作　　者：朱华东[1] 管丹平[2] 

机构地区：[1]安徽大学历史系,安徽合肥230039 [2]安徽省博物馆,安徽合肥230061

出　　处：《东南文化》2011年第4期48-52,共5页Southeast Culture

基　　金：国家社科项目(05BKG003);安徽省教育厅人文社科研究项目(2010sk063);安徽大学青年科学研究基金项目的资助

摘　　要：皖南周代青铜剑纹饰资料详实、变化丰富。剑格主要有兽面纹、蟠螭纹与几何纹,剑首基本上为弦纹圈及几何纹饰。剑首、剑格纹饰与剑体其他部位特征演变规律类似,各期特征也较为显著,存在一定的组合关系。研究表明,始自西周中晚期,设计者便注意到格、首在装饰上需要保持的平衡与协调,至春秋晚期该传统便达极致,其中剑格兽面纹的出现,是吴越青铜文化的一大改造与创新。而战国时期青铜剑纹饰的衰退则反映出吴越地区制剑审美观的转变。Abundant materials are available concerning the patterns on the bronze swords of the Zhou Dynasty unearthed in South Anhui. The cross-guards are mainly patterned with Animal Mask, Pan Chi or geom- etric shapes, and the pommels are basically patterned with strings or geometric shapes. The patterns of pommels and cross-guards share similar rule of evolution with the other parts of a sword, both of which are marked by significant characteristics of the time and a certain matching relationship exist between. Research shows that since the mid-late Western Zhou, a balance and coordination in decoration design between the pommel and the cross-guard of a sword had been pursued, which reached its peak in the late Spring and Autumn Period. Animal Mask pattern being used in cross-guard decoration was one of the greatest innovative reforms of the bronze culture of Wu ＆ Yue States. The decline of the decoration art of bronze swords in the Warring States period reflected the transformation of the aesthetic view of sword making in Wu and Yue areas.

关 键 词：皖南青铜剑 纹饰 类型 演变 艺术特征 

分 类 号：K876.41[历史地理—考古学及博物馆学]