论篆刻发展与书法的关系  

On the Relations between the Development of Seal Cutting and Calligraphy

作　　者：方匡水[1] 

机构地区：[1]台州职业技术学院体育艺术部,浙江台州318000

出　　处：《湘南学院学报》2011年第3期61-63,共3页Journal of Xiangnan University

摘　　要：篆刻艺术是书法(主要是篆书)和镌刻相结合,用印章特定形式表现的一门艺术。战国、秦汉、魏晋六朝时期为"古代篆刻艺术时期",其篆刻艺术特点主要是根据字与字之间的相互关系设计出相宜的形式。而唐、宋时期是印章艺术向篆刻艺术发展的一个过渡时期。到了明清两代,篆刻艺术进入了复兴时期,流派纷呈。在当代,篆刻刀法发生了相应的变化,刀法的视觉冲击力不断被强化。The art of seal cutting is the combination of calligraphy and engrave expressed by the special form of seals. In ＂the ancient seal cutting period＂ of the Dynasties of Warring States, Qin, Han, Wei and Jin, its ar- tistic characteristics were the designs of suitable forms according to the relations among characters. Tang and Song Dynasties were the transition period of the development from signet art to seal cutting art and Ming and Qing Dy- nasties were the period of revive and there appeared many schools. In modem times the skills of seal cutting have changed and the visual pounding force have been continuously strengthened.

关 键 词：篆书 方寸之间 疏密有致 流派 

分 类 号：J29[艺术—美术]