集成通变——从艺术和设计的同构性看广义设计观  

Transformation Through Integration——Interpretation of General Design in View of the Isomorphism Between Arts and Design

作　　者：初冬[1] 董雅[1] 

机构地区：[1]天津大学建筑学院,天津300072

出　　处：《天津大学学报（社会科学版）》2011年第5期425-428,共4页Journal of Tianjin University：Social Sciences

基　　金：国家社会科学基金资助项目(08BF45)

摘　　要：随着人类认知方式的改变、新技术的发明和审美要求的多元化,当下的设计形式和设计语言越发呈现出多样化的新面貌。今日的设计已经不再延续单一的发展路线,而是转化为一种多元的、综合理念的创新。现代设计是一种综合了文化、技术与生态等多方面的创新思维,艺术的发展也正走向广义化的思维交叉领域,体现出一种"集成通变"的综合理念。事实上,如果撇开艺术的具体形式,从观念层面审视设计与艺术,二者应该是一种"异质同构"的关系。With the development of human cognitive styles, the invention of the new technologies and the diversification of aesthetic appeal, the form and language of design have shown a diversified feature. The development of design no longer followed the single line, but turns into the innovation of the multiple integrated concepts. Modern design is a kind of incentive thinking, which integrates culture, technology and ecology. Meanwhile, the development of arts is tending to a generalized crossthinking field, which conveys the philosophy of transformation through integration. In fact, if we examine arts in the conceptual level without considering the specific form, arts and design should maintain the relationship of heterogeneous isomorphism.

关 键 词：集成通变 异质同构 广义设计 艺术 

分 类 号：TU02[建筑科学]