“红舞”的历史演进与时代特性  

The Historical Evolution and Time Characteristics of Red Dance

作　　者：喻琴[1] 

机构地区：[1]南昌大学艺术与设计学院,南昌330074

出　　处：《渭南师范学院学报》2011年第9期67-71,共5页Journal of Weinan Normal University

基　　金：国家社科基金项目(08BZW007);江西省教育科学"十一五"规划课题(09YB087)

摘　　要：目前,关于"红舞"的研究非常欠缺,滞后于红色文化发展热潮,研究"红舞"的历史演进概况,发掘其不同时代的特性,在当前甚有必要。中国"红舞"的发展,大致可分为四个时期,每个时期均有鲜明特色,体现在:1919—1949年,以"革命救亡"为本色和主题的"红舞"启蒙和发展;1950—1965年,以"生产建设"为内涵和主流的"红舞"演进和突破;1966—1978年,强调"政治斗争"、"个人崇拜"的"红舞"样板化和异化;1979年至今,"复古"与"创新"冲荡交织的"红舞"新生和兴盛,把握"红舞"的发展概况和不同时代的美学特性,能为今天的"红舞"编创提供学理依据和思想创意。Currently, the research of Red Dance is lacking which lags behind the wave of Red Cultural development. It is very necessary to study historical evolution and explore characteristics in the different eras of Red Dance. Chinese Red Dance develop- ment can be divided into four periods that are distinctive features of each period. From the year 1919 to 1949, the ＂salvation revolu- tion＂ as the character and the theme of Red Dance＇ s enlightenment and development; from the year 1950 to 1965, the ＂production and construction＂ as the content and mainstream of Red Dance＇s evolution and breakthroughs; from the year 1966 to 1978, focusing on ＂political struggle＂ and ＂personality cult＂ of Red Dance＇s model and alienation; from the year 1979 till now, the ＂retro＂ and ＂innovation＂ swing of Red Dance＇ s new life and prosperity, grasping Red Dance＇ s development and aesthetic characteristics in dif- ferent times can provide theoretical basis and ideological ideas for innovations of red dance.

关 键 词：红舞 历史演进 发展状况 时代特性 

分 类 号：J70-02[艺术—舞蹈]