宋代俳谐赋论析  

An Analysis of the Humorous Antithetical Fu in the Song Dynasty

作　　者：李建军[1] 

机构地区：[1]浙江大学古籍所,杭州310028

出　　处：《北京大学学报（哲学社会科学版）》2011年第5期44-52,共9页Journal of Peking University(Philosophy and Social Sciences)

基　　金：国家社科基金项目"宋代浙东文派与中国文章学研究"(10CZW028);教育部人文社科规划项目"宋代文赋研究"(01JA750.11)阶段成果

摘　　要：宋代俳谐赋之谐趣,从建构方式而言,或因表里不谐、文体形式与赋作内容之张力而产生,或因言意相离、言语表面意思与作者深层意旨之张力而酿成,或因物类幻形、物类原态与所幻形象之张力而获得;从旨归寓意而论,既有自我解嘲、讽世刺时、抒怀明理等寓庄于谐之属,也有肆笔为文、以文为戏之作。宋代俳谐赋在艺术上承继前贤往往又能翻新出奇,并将俳谐文学中"审物丑以刺人世"这一范式发展成熟并推向高峰,自有其独特价值;但也有部分作品因尚理之时代语境的强大影响,径直以议论将龙睛点出,背离了俳谐文重"谐"亦重"隐"之原则,减弱了作品的趣味性和艺术性。The humorous nature of the humorous antithetical fu in the Song Dynasty was of many aspects. In terms of structure, the nature was caused by the disharmony between the inside and the outside, i. e. , the conflict between the writing styles and contents of the humorous antithetical fu; by the deviation between words and meanings, i. e. , the conflict between the superficial meaning of the language and the profound intention of the author ; or by the formal change of things, i.e. , the conflict between the original form of things and the image of the changed form. In terms of implied meanings, there are self-mockery, satire of the human world and expression of aspiration ; and there are also some works of free-writing styles but full of fun. The humorous antithetical fu in the Song Dynasty not only inherited the artistic styles of the previous prominent writers, but also further advanced its writing styles, pushing up the development of the mode of ＂mocking the human world by examining the ugly phenomena＂ in the humorous antithetical literature, until the mode became mature with its unique value and reached its peak. But some works were strongly influenced by the context of the time in which Nee-Confucianism was upheld, and had their implications directly pointed out by way of comment, which deviated from the principle of emphasizing both ＂humor＂ and ＂implication＂ and thus weakened their interest and artistry.

关 键 词：俳谐赋 表里不谐 言意相离 物类幻形 谐隐 

分 类 号：I222.4[文学—中国文学]