清代词集丛刻的文献价值与词学贡献  

On the Documental Value of the Printed Ci-poetry Series in the Qing Dynasty and their Contribution for Ci-poetry

作　　者：孙赫男[1] 

机构地区：[1]中国社会科学院文学所,北京100731

出　　处：《北京大学学报（哲学社会科学版）》2011年第5期60-65,共6页Journal of Peking University(Philosophy and Social Sciences)

基　　金：教育部2010年度人文社会科学研究青年基金项目(10YJC751075);吉林大学"985工程"项目成果

摘　　要：清词号为中兴,词集丛刻亦甚为发达,文献保存之功甚巨。清代前期词坛昌盛,词集丛刻如《国朝名家诗馀》等多为"今人"词集之汇辑,保存了大量"当代"名家词集。中期的词集丛刻则更多地倾向于中小作家,于此可见更为普泛化群体的创作状况,同时在编选倾向上又受浙派词风和乾嘉学风的影响,呈现出偏重浙西词派和重音律等特征。晚清词集丛刻数量大增,品类丰富,王鹏运的《四印斋所刻词》等搜辑宋元旧集,开启词集校勘之风,词学贡献尤为卓著。The printed Ci-poetry series were very prolific in the Qing Dynasty, which contributed a lot to the preservation of Ci-poems. In the early Qing Dynasty, printed Ci-poetry series like Ci-poems from Contemporary Famous Writers（ 《国朝名家诗馀》）were mostly collections of Ci-poems written by the contemporaries and preserved a great deal of their works of Ci-poetry. In the mid-Qing Dynasty, more of the printed Ci-poetry series were from small and medium writers, which showed the tendency for the popularity of Ci-poem writing among ordinary people. Besides, the compiling and editing of Ci-poems were more influenced by the artistic style of the Western Zhejiang School of Ci-poets and the academic style during the reign of the Emperors of Qianlong and Jiaqing, which showed the features of favoring the Western Zhejiang School of Ci-poets and focusing on the metric of Ci-poems in writing. In the late Qing Dynasty, there were increasing numbers of Ci- poetry series printed with more varieties. Among them, the outstanding one was A Collection of Ci-poems Printed by Siyinzhai（ 《四印斋所刻词》 ） collected and edited by Wang Pengyun and others, which was a reprinted work of Ci-poems from the Song and Yuan Dynasties. This started the work of collecting and collating former Ci-poetry series, and made great contributions for Ci-poetry.

关 键 词：清代 词集丛刻 文献价值 词学贡献 

分 类 号：I207.2[文学—中国文学]