新体诗的突围——景龙之际宫廷诗人的复古实践与诗体革新  

THE BREAKTHOUGH OF NEW POETRY:THE POETIC RETRO PRACTICE AND VERSE OF COURTIER POETS IN JINGLONG PERIOD OF THE TANG DYNASTY

作　　者：蔡丹君[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《云梦学刊》2011年第5期83-88,共6页Journal of Yunmeng

摘　　要：新体诗自诞生起就广受争议,在龙朔前后更是达到高潮。但上官仪、"四杰"或者陈子昂等人,在解决自己提出的问题时,常陷入新的困境。最终带领新体诗走出发展之障碍重围的,却是景龙之际理论呼声并不高的宫廷诗人。他们的现存作品体现了积极的复古实践和具体、细致的诗体革新,包括:真正挥别新体诗律的"嬖积细微",完成了诗律的定型和普及;廓清了上官体过大的语量,利用从生活、文本习语中获取双音节词、双音复合词入诗,去除辞藻的壅塞;而最为重要的是在诗歌主题与审美趣味上作了有益探索,发展出盛唐"雅体"的雏形。The New Poetry was highly controversial at first,and the controversy reached it climax in Longshuo period.But the famous poets such as Shang guanyi,Four Elites or Chen Ziang and so on,they were getting into a new dilemma when they pointed out some problems of the New Poetry.At last,the persons who were really able to breakthrough the controversy and made the New Poetry develop smoothly were the Courtier Poets in Jinglong Period,although they did not display some theory as much as the poets before them.The poems they wrote displayed a positive attitude towards the Poetic Retro Practice and Verse Innovation,which was including： Farewell to the tedious part of the New poetry tone theory,and made it simple and popular;Reduce the language information in Shangguan poetry,which was too much to understand.And got much two-syllable word and two-tone compound word from the everyday life or text idioms;And most importantly,they developed the theme style and Aesthetic interests,and influence the Shengtang poetry type named Ya Ti.

关 键 词：景龙宫廷诗人 复古实践 诗律 语量 雅体 

分 类 号：I206.2[文学—中国文学]