叙述背后的真相——解读《托尼的妻子》的双重写作策略  

Ted Hughes＇ Native Complex and His Poetic Writing

作　　者：张晓敏[1] 李杨[1] 

机构地区：[1]吉林师范大学外国语学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2011年第5期14-15,19,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省教育厅"十一五"社会科学研究项目(编号:吉教科文合字[2010]第176号);吉林省社会科学基金项目(编号:2011B340)

摘　　要：在19世纪美国文坛男性一统天下的局面下,女性作家的创作极其艰难,她们不得不选择可以得到公共话语场认可的写作策略才能突破层层桎梏,使其作品得以出版。表面上,她们的作品遵照男性既定的评价标准;而在深层文本中,女性作家透过男性话语结构来传递自己的声音。艾丽斯.邓巴.纳尔逊的作品《托尼的妻子》正体现了女性作家对于双重写作策略的选择。本文将以此作为切入点,分析双重写作策略在文本中的体现并探究文本背后女性价值的自我实现。Ted Hughes,English Poet Laureate,is well known for his masculine and wild poetry in European and American literary circle. He＇s greatly profited from his hometown, west Yorkshire where he spent his childhood. His native complex, in a sense, serves as his inexhaustible poetic inspiration. Although Hughes bases his poetic writing on west Yorkshire, be concerns about human beings and human situation in general in his poetic career.

关 键 词：双重写作策略 女性价值 颠覆 

分 类 号：I206.7[文学—中国文学]