论乐府古题《豫章行》及其流变  

Yuefu Ancient Themes of Yuzhang Xing and It's Change

作　　者：吴大顺[1] 吴昀珊[1] 

机构地区：[1]怀化学院中文系,湖南怀化418008

出　　处：《湖南人文科技学院学报》2011年第2期16-19,共4页Journal of Hunan University of Humanities,Science and Technology

基　　金：教育部人文社会科学研究规划基金项目(10YJA751087);湖南省社科基金项目(06YB116)

摘　　要：《豫章行》现存汉唐时期的文人拟作共9首,其流变特点是:主题上所写的时事与古辞"伤别"主题保持着若即若离的关系;在语言形式上,显示出明显的文人化倾向。这些特点,体现了文人拟乐府创作的基本规律,说明文人拟乐府是介于音乐与文体二者之间的创作行为,在其文化功能上既有音乐文化因素,也有文体意义的性质,六朝许多文人诗歌范式就是在拟乐府的创作机制中逐渐形成的。The Nine works written by scholars in Han and Tang Dynasties exist in Yu Zhang xing.From these replicas,we can find it＇s evolution features are： current events which are written in the theme of ancient title Yuzhang Xing＂.First,the theme of replicas,often broke away frommaintain a lukewarm relationship with the one of the ancient poem＇s thoghts for ＂the sad of parting＂,and performed the real life situation in order to express personal feelings,but intended for current events which kept relationship with the ancient written speech ＂the sad of parting＂ theme in some aspect;second,in language form,Yuzhang Xing obviously show intended for scholars tendency,showed the great influence from ＂Yongming＂ poery of Six-Dynasties＇ formalist aesthetics.These characteristics of Yuefu ancient title Yuzhang Xing,has reflected the law of scholars＇ creation of Yuefu＇ replicas.It illustrates that the scholars＇ action of imitation is a creation between music and style,and it not only musical culture factor,but also the nature of stylistic meaning.Many literary paradigm of six Dynasties were gradually coming into being in the proposed mechanism of Yuefu.

关 键 词：乐府古题 《豫章行》 流变 规律 

分 类 号：I206.2[文学—中国文学]