上海世博会中国馆:当代岭南建筑学派视野中的“中国性”  

China Pavilion for the World Expo 2010 Shanghai:Chineseness in the Perspective of Contemporary Lingnan Architecture School

作　　者：郦伟[1] 唐孝祥[2] 

机构地区：[1]惠州学院建筑与土木工程系,广东惠州516007 [2]华南理工大学建筑学院,广东广州510640

出　　处：《华南理工大学学报（社会科学版）》2011年第4期86-92,共7页Journal of South China University of Technology(Social Science Edition)

基　　金：广东省自然科学基金:岭南建筑学派与岭南建筑创新研究(S2011010001601);亚热带建筑科学国家重点实验室重点研究项目:具有中国特色的"两观三性"建筑设计理论体系研究(2011ZA01)

摘　　要：本文通过对上海世博会中国馆的深层解读,指出上海世博会中国馆的"中国性"既非文化激进主义眼中的"固守传统"亦非文化保守主义眼中的"反本开新",而是扬弃传统文化的综合创新。在当代中国融入全球化与走向崛起的时代背景下,在地域文化与全球化、传统文化与时代精神之间的双重张力中,上海世博会中国馆以其充满"全球化"与"时代性"的形象创造性地表现了"中国性"的文化内涵,展现出当代岭南建筑学派"文化现实主义"创作观的独特魅力。Through a deep analysis of China Pavilion for the World Expo 2010 Shanghai, this study points out thatthe ＂Chineseness＂ of China Pavilion neither ＂sticks to tradition＂ in terms of cultural radicalism, nor ＂goes against tradition and creates the new＂ in terms of cultural conservatism. Instead, it is a comprehensive innovation that develops the useful and discards the useless. In the context that China is integrating into globalization and rising rapidly, and under the dual force between regional culture and globalization, traditional culture and the spirit of times, the China Pavilion demonstrates creatively both the cultural connotation of ＂Chineseness＂ with its image full of ＂ globalization＂ and ＂Time Spirit＂, and the unique charm of ＂cultural realism＂ in contemporary Lingnan architecture school.

关 键 词：上海世博会中国馆 建筑批评 当代岭南建筑学派 中国性 文化现实主义 

分 类 号：TU-86[艺术—艺术设计]