我国当代剧场建筑形态的意象化与设计反思  

Image and Design Rethink of China Contemporary Theater Architecture Form

作　　者：王悦[1] 

机构地区：[1]清华大学建筑学院

出　　处：《华中建筑》2011年第10期8-11,共4页Huazhong Architecture

摘　　要：建筑形态的意象化在古代的中外建筑中已有所表现。但囿于建造技术、设计工具及人文艺术追求的不同,其表现手法和最终形成的历史形态也不同于今天。当代,在建筑个性创意及特色追求的驱使下,建筑通过意象化产生意会信息,成为传播文化、时尚的媒介。同时设计师希望把建筑的意象化表达同人们的日常生活建立起联系,寻找锚固点,达到轰动性效应。剧场作为城市重要文化设施,在大规模城市建设和文化快速转型发展中,随着设计手段和建造技术的更新,特别是数字化技术的应用,使它出现了众多的意象化形态。该文从当前我国剧场建筑中出现的水意象,仿生意象等众多意象化表达上,分析其产生的原因,并主要从三个方面进行了设计反思。The image of architectural forms has already appeared sino-foreign in ancient times. But constrained by construction technology, design tools and different humanities artistic pursuit, its expression and eventually historical form is different from today. Contemporary, driven by individual creativity and characteristic pursuit, through image information, architecture becomes medium to spread culture and fashion. Meanwhile, architects want to link the architecture＇s image express with people＇s daily life, through looking for anchoring point, to achieve blockbuster effect. As an important cultural facilities in city, under large-scale urban construction and cultural development, with rapid transformation of design method and construction technical updates, especially the application of digital technology, theater architecture appeared many image form. This article analyses the phenomenon of it from the current our country theater architecture appear image, as water image, bionic image, and carries on the design thought mainly from three aspects.

关 键 词：剧场建筑 形态 意象化设计 

分 类 号：TU-86[艺术—艺术设计]