李攀龙律诗地位辩正及其成就简论  

A Study of the Status and Achievements of Li Panlong's Poetry

作　　者：周潇[1] 

机构地区：[1]青岛大学师范学院中文系,山东青岛266071

出　　处：《青岛大学师范学院学报》2011年第3期68-73,共6页Journal of Teachers College Qingdao University

基　　金：2009年度山东省社会科学规划研究项目<山东明代文学史>(09DWXZ02)

摘　　要：作为明代"后七子"派复古运动的领袖和文坛主盟,李攀龙身后毁誉参半,攻讦不休。其诗歌的突出弊端在于乐府诗的剿袭与剽窃,然而瑕不掩瑜,其七律七绝可谓高华矜贵,直接盛唐,呈现出雄浑峻洁,风神高迈、深远高华,风骨内含、语近情深,沉著意真、拟议变化,出神入化的鲜明特征,也带有格调辞意,不胜重复的弊端。As the leader of the Movement of Returning to the Ancients lauched by the ＂latter seven poets＂and a leader of the literary world in the Ming Dynasty,Li Panlong has got both praise and blame after his death.Plagiarizing Yuefu poetry is the obvious shortcoming of his poems.However,small defects cannot obscure great virtues.Both his eight-line poems with seven Characters to a line and his four-line poems with seven Characters to a line are noble and reserved,with the style in flourishing Tang Dynasty.They present distinctive features,which are powerful,implicit,deep and superb,but have a defect of language repetition.

关 键 词：李攀龙 后七子 明代诗歌 复古运动 

分 类 号：I206.2[文学—中国文学]