在惯常的想象之外——论马塞尔·拜尔的长篇小说《狐蝠》  

Beyond the Common Imagination——On Marcel Beyer's Flying Foxes

作　　者：谢建文[1] 

机构地区：[1]上海外国语大学德语系,上海200083

出　　处：《同济大学学报（社会科学版）》2011年第4期1-10,共10页Journal of Tongji University:Social Science Edition

基　　金：国家社科基金项目"德语后现代文学研究"(07BWW019)的阶段性成果之一

摘　　要：马塞尔·拜尔的《狐蝠》,自声音媒介切入纳粹历史,叙事以双声部交织推进。小说重点塑造了声学家赫尔曼·卡尔瑙作为纳粹罪恶参与者和战后社会中纳粹罪行反思者的形象。由之亦可体察作家在变化了的时代语境中面对纳粹历史时独特的文学处理方式及其意味。With the help of the Sound medium, Marcel Beyer＇s Novel Flying Foxes recounts the history of Nazi through the eyes of two narrators： Joseph Goebbels＇s eldest daughter, Helga and a sound technician, Hermann Karnau, who had worked for Nazism. But the novel＇s focus lies in the acoustician, who is a accomplice of Nazism as well as a reflector on the crime of Nazi in the post-war period. Through the novel, we are able to recognize and perceive how the author, Marcel Beyer, distinctively deals with the Nazi past in a changed context of historical situation.

关 键 词：马塞尔·拜尔 《狐蝠》 声音档案 形式意味 

分 类 号：I516.45[文学—其他各国文学]