文学主体性与边界:当代文学生产的“传媒化”病症研究  

The Subjectivity and Boundary of Literary:On the Media-Controlled Symptom in ContemporaryLiterary Production

作　　者：李志艳[1] 

机构地区：[1]广西大学

出　　处：《浙江社会科学》2011年第10期118-122,159,共5页Zhejiang Social Sciences

基　　金：山东省社科规划项目"信息传媒文化与当代文艺生产消费的新变"(09CWXZ04)阶段性成果

摘　　要：当代文学生产的传媒化导致了文学生产系列病症,也使得文学的边界问题再次成为学界热点。文学边界纠缠于文学门类的含混化之中,文学主体性被褫夺而病态化。为此,回归文学生产程序,在文学生产、传播与消费的各个程序关键点厘清文学与传媒的关系,发现文学生产主体多元化和传媒建构中心论、文学传播与文学存在方式的被媒介化、文学消费的杂糅与传媒意志本体性等辩证一体。以此为依据重塑文学主体性,才能问解文学生产的传媒化病症,从而回答文学主体性即文学边界的论题。The media-controlled property of contemporary literary production has induced series of symptoms in literary production,and made the boundary of literary into academic focus again.Returning to the process of literary production,the paper figured out the relations between literary and media in each key process of literary production,dissemination and consumption,and found that literary production pluralism and media construction centrism,media-controlled literary dissemination and literary existence,literary consumption hybridity and media will ontology are dialectical unity,and the boundary of literary tangles up the ambiguity of literary category,so the subjectivity of literary is deprived and becomes morbid.The researches show that remodelling the subjectivity of literary can solve the media-controlled symptom in literary production,which can answer that the subjectivity of literature is the boundary of literature.

关 键 词：主体性 边界 文学生产 传媒化 

分 类 号：I206.7[文学—中国文学]