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作 者:陈夫龙[1]
出 处:《西华师范大学学报(哲学社会科学版)》2011年第5期6-9,共4页Journal of China West Normal University:Philosophy & Social Sciences
基 金:国家社会科学基金项目(10CZW051);湖南省哲学社会科学基金项目(09YBB345)
摘 要:在文化层面上,性爱是一种人性和生命状态的诗意表现,在文学创作中描写性爱是为了把人写好,以发掘和丰富作品的思想意义与精神价值。金庸在物欲横流的殖民地背景下为我们创造了一个至情至性的爱情神话,在这个生死相许的诗性空间里,由情圣、情痴、情魔这三种价值形态所构成的情感系统,既突出了人性的本质或真相,也以鲜明的平等意识体现了金庸的现代女性观。The sexual love is a poetic performance of humanity and life status in the level of culture,the purpose of description of sexual love in the literary works is to create characters perfectly and eventually to explore and enrich the ideological significance and spiritual value of the works.Jin Yong created a myth of the great love which was a poetic space accompanying by birth-to-death in the colonial materialistic cultural surroundings in which the emotional system being made up of three valual forms,namely,the holy lover,the crazy lover and the devil lover,not only highlights the essence or the truth of humanity,but also embodies Jin Yong's concept of modern woman with a distinctive sense of equality.
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