“感兴”批评法的境遇和新生  

Circumstances and Vitality of the Critique of Feeling and Inspiration

作　　者：张文浩[1] 

机构地区：[1]长春师范学院汉语言文学学院,吉林长春130032

出　　处：《太原师范学院学报（社会科学版）》2011年第4期75-78,共4页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：受西方批评话语的强势包围,建构有中国特色的文学批评模式乃形势所迫。"感兴"是具有中国民族传统和文化底蕴的文学批评模式。尽管它在参与建设中国现代文论的过程中遭遇困境,但不应当被遗忘,而应当在中西交融中获得新元素和新力量。感兴批评法从审美体验入手,与修辞论美学结合,展现民族传统批评法的新貌和解释效力,从而融入现代文论的话语环境。Constructing literary criticism pattern with Chinese characteristics become pressing and urgent in the face of the mighty besieges of western critical discourse.Feeling and inspiration is the literary criticism pattern with Chinese national tradition and cultural foundation.Although encountered the difficult position during the process of constructing literary critical theory of modern Chinese,it should not be forgotten.Instead it should derive strength and vitality from the Sino-West merging.Starting with aesthetic experiences,the critique of feeling and inspiration is combined with rhetorical aesthetics,taking on a new face of national tradition,showing the new efficacy of interpretation,and assimilating gradually into discourse surroundings of modern literary theory.

关 键 词：感兴 文学批评法 新生 解释效力 

分 类 号：I206.2[文学—中国文学]