论清代嘉道词风之新变  

Changes of Ci-poetry in Jiaqing and Daoguang Periods of Qing Dynasty

作　　者：刘深[1] 

机构地区：[1]广西大学行健文理学院,南宁530004

出　　处：《南京大学学报（哲学．人文科学．社会科学）》2011年第5期99-109,160,共11页Journal of Nanjing University(Philosophy,Humanities and Social Sciences)

基　　金：国家社科青年基金"现代词学史研究"(09CZW042)

摘　　要：清词发展到嘉道时期,呈现出新变格局。首先,清词由抒写"空中语"转为抒发哀世之音,与社会现实愈发靠近;其次,词人的审美情趣由"娱"转"郁",显示出与以前不同的气象;第三,常派的理论在词坛虽有相当大的影响,但其创作却处于缺席状态;第四,浙派词人沾染了江湖气,并遭至猛烈批评;第五,浙、常两派正视对方的存在,并处于一种离合的复杂状态。对于清词的发展演变而言,嘉道时期是一个重要的转折时期。与清初和晚清相比,嘉道词坛虽然名家辈出,但缺乏可以与之媲美的大家,即缺乏在词学理论与词体创作上都能引领潮流的领袖型词人。然而,嘉道词人能在因袭中渐趋变异,坚持开辟词之新界,亦是很值得关注的。In the periods of Jiaqing and Daoguang of the Qing Dynasty,ci-poetry experienced changes.First,ci-poetry was no longer detached from reality,but rather to express worldly sorrow and sadness.Second,in poets' aesthetics,entertainment was substituted by depression.Third,the writings by poets of Changzhou school were quite few though the influence of its citheory was still felt.Fourth,poets of western-Zhejiang-province school took on characteristics of slippery world wise.Fifth,the two schools recognized the existence of the other,and was in an awkward state of now-separation-and-then-reunion.

关 键 词：清词 浙派 常派 新变 

分 类 号：I207.23[文学—中国文学]