探析明清时期的闺阁绘画  

Analysis of Ming and Qing Dynasties boudoir painting

作　　者：杨思杰[1] 

机构地区：[1]安徽工程大学,安徽芜湖241000

出　　处：《铜陵学院学报》2011年第4期92-93,121,共3页Journal of Tongling University

基　　金：教育部人文社科项目<中国古代女红艺术研究>(编号09YJC60001)成果之一

摘　　要：作为一个女性绘画的潮流,明清闺阁绘画群体性特征在我国历史中绝无仅有,对于我们重新解读中国古代绘画史具有不可或缺的价值。文章从明清时期的闺阁画家入手,探析明清闺阁绘画产生的原因、风格和艺术特点,讨论这些女性绘画之于中国绘画史及女性艺术史的价值与局限性。As a woman painting trends,population characteristics of the Ming and Qing boudoir painting in unique in our history,our re-interpretation of the history of ancient Chinese painting has an indispensable value.This artist from the Ming and Qing Dynasties Boudoir start,focus on Analysis of the causes of the Ming and Qing paintings boudoir,style and artistic characteristics,the discussion of these women paintings of women in the history of Chinese painting and art history value and limitations.

关 键 词：闺阁绘画 男性话语 明清文化 女性艺术 

分 类 号：J222[艺术—美术]