从大教堂到市政厅：中世纪晚期锡耶纳的城市空间转型  

From Cathedral to City Hall:The Spatial Transformation of Siena in the Late Middle Ages

作　　者：朱明[1] 

机构地区：[1]华东师范大学历史系讲师,上海200241

出　　处：《历史研究》2011年第5期113-125,F0003,共14页Historical Research

基　　金：教育部人文社科项目(项目号为11YJC770097);上海市“晨光计划”项目(项目号为11CG28)的阶段成果

摘　　要：13—14世纪意大利城市锡耶纳经济获得了飞跃发展,新兴平民阶层迅速崛起,同过去占主导地位的权贵家族分庭抗礼,并最终超越后者而建立了"九人体制"的共和政府。这种政治经济变迁使得锡耶纳的城市布局发生了重大转型。共和政府以前,城市布局主要以散布全城、各自为政的贵族私邸和塔楼构成。当平民对贵族的政治斗争取得决定性胜利后,平民主导的共和政权为了塑造合法性和显示政治权威而着手建设市政厅、市政广场,并延请艺术家创作富含政治寓意的市政厅壁画。锡耶纳城市空间的转型实际上从一个侧面反映了这一时期意大利城市权力的重大转移。The 13-14th centuries saw leapfrog economic development in the Italian city of Siena.As a result,the emerging poblani,or common people,rose rapidly to challenge the dominant aristocratic families,eventually surpassing the latter and establishing a republic under the Government of the Nine.These political and economic changes brought about a major transformation in the layout of the city.Before the republic,it consisted mainly of scattered and separate aristocratic residences and towers.When the political struggle of the poblani against the aristocracy achieved a decisive victory,the republican regime dominated by the poblani started the construction of the City Hall and the City Square and invited artists to draw frescoes with political content in the City Hall in order to show their legitimacy and political authority.The spatial transformation of Siena actually reflects the significant transition of power in Italian cities during this period.

关 键 词：锡耶纳 市政厅 壁画 城市空间 

分 类 号：K546.3[历史地理—历史学]