齐白石花鸟画的自然形成与自觉创造  

Natural Formation and Self-conscious Creation of Qi Baishi's Flower and Bird Paintings

作　　者：赵胜利[1] 

机构地区：[1]集美大学美术学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2011年第4期115-119,共5页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：齐白石的花鸟画不仅数量多,而且非常突出地体现了他在艺术创造中的独特之处。早年的乡村生活体验,深刻地影响了他的审美意识,使他的花鸟画自觉不自觉地打破传统文人花鸟画的窠臼,敏感地捕捉到乡村生活气息中花鸟的特殊情态与意趣,创作出既具有时代特征又充满了个人理解的写意花鸟画。他又继承了传统中国画妙在似与不似之间的写意之法,为花鸟写照传神。他的花鸟画还洋溢着诗的意味,传达着他独特的精神感悟。The number of Qi Baishi＇s paintings is very large and they embody his sense of individuality prominently. Early experiences of country life influenced his aesthetic consciousness deeply, which consciously or unconsciously made his paintings break through the limit of traditional flower and bird paintings. He captured sensitively the flowers and birds＇ special modality and spirit in the atmosphere of village life, and created enjoyable flowers and birds with time feature and personal understanding. He also inherited the method of traditional Chinese painting： like and unlike. His paintings are filled with poetic meaning too, conveying his unique spiritual feeling and sentiment.

关 键 词：齐白石 花鸟画 乡村意趣 似与不似 

分 类 号：J205[艺术—美术]