周作人“人与文学”观念的特殊接受——以20世纪80年代两部文学史的叙述为例  

Reception of Zhou Zuo-ren's Literary Theory on Human and Literature——A Case Study of Two Books on History of Modern Chinese Literature in the 1980s

作　　者：罗长青[1] 

机构地区：[1]南京大学中国现代文学研究中心,江苏南京210093

出　　处：《上海交通大学学报（哲学社会科学版）》2011年第5期90-96,共7页Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目(08BZW057)

摘　　要：从《中国现代文学三十年》和《中国现代文学发展史》对周作人文学观的介绍看,人们对周作人文学观的接受是有选择性的:1."人的文学"概念主要是强调人的权利、价值和尊严,却被人们当成是悲天悯人式的同情;2."平民文学"并不是专门做给平民看的,批评家却要梳理它与"工农兵文学"的一致;3."言志"与"载道"都是为了强调独创与个性,人们却认为二者存在根本对立,并狭隘地把"言志"当成是"抒情"。From the introduction of Zhou Zuo-ren＇s literary theory in the two books： Thirty Years of Modern Chinese Literature and History of Development in Chinese Contemporary Literature, it is known that people accepted Zhou Zuo-ren^s literary theory selectively. ＂Literature for man＂ emphasized the value, rights and dignity of man, but was understood as a view on sympathy. ＂Literature for common people＂ was not written for common people, critics, however, figured out its consistency with ＂literature of workers, peasants and soldiers＂. ＂YanZhi and ZaiDao＂ both emphasized the author＇s creativity and individuality, but was regarded it as two opposite ideas, and even narrowly taken ＂YanZhi＂ as expressing emotions.

关 键 词：周作人 人道主义文学 平民文学 言志与载道 

分 类 号：I206.6[文学—中国文学]