论S·拉什迪后殖民语境下“象”的思维——以《午夜之子》为例  

Conceptions of Image in Salman Rushdie's Midnight's Children in the Postcolonial Context

作　　者：梅晓云[1] 

机构地区：[1]西北大学文学院,陕西西安710069

出　　处：《深圳大学学报（人文社会科学版）》2011年第5期128-133,共6页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社会科学基金项目"当代南亚英语流散文学研究"(08XWW001)

摘　　要：拉什迪文学思维的特点,即"象"的思维。在《午夜之子》这部作品里,作家创造了非常特别的语象、物象、声象、味象、色象等众多的象,正是这些各别的象,造成了其文学特色,形成后殖民文学意象,表达出作家深刻的思想。Rushdie＇s literary thought is characterized by his conceptions of image.In his work Midnight＇s Children,he creates various specific images including image of language,object,sound,flavor,and vision.It is these iamges that offer his work its special character,and give rise to postcolonial images,and expresses the author＇s insightful ideas.

关 键 词：象 语象 物象 声味色象 象思维 

分 类 号：I561.074[文学—其他各国文学]