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作 者:张泽渡[1]
出 处:《大观周刊》2011年第31期5-6,共2页
摘 要:研究汉字构形理论“六书”的典籍汗牛充栋,其中象形字的研究相对比较成熟充分,但学界仍有省形、变形、增形、重形、附形等诸多歧说。各种解说或名同实异、或名异实同,互相交叉的各家学说使人对六书学理论产生疑惑。我们从说明象形字的构形原理出发,指出六书系统中的象形字具有具象构形与意象构形的区别。具象构形仅仅能满足“陈述”,意象构形才能实现“表达”。从分析汉字的语言性质和文化意义着眼,以联体象形的概念取代省、变、增、重、附的多种杂说,才能确认汉字象形构形法的实践价值和理论意义。Study Chinese character configuration theory "six categories of Chinese characters" ancient book and record is overabundant, pictographic characters among them a lot of branches such as studying relatively relatively mature, are sufficient, but educational circles still has province shape , deformation , increasing a shape , highly valuing a shape , attaching a shape says. Various definition or different reality of same reality different, or name is same , every family theory alternating each other makes person mimic theory coming into being to six categories of Chinese characters feeling uncertain. We set off from the principle explaining the pictographic character configuration , pictographic character in bringing forward six categories of Chinese characters systematically has the difference resembling the configuration and the imago configuration. And point out the utensil elephant configuration being able to satisfy " statement " only, imago configuration ability comes true "express". Significance sees our language character from the angle of to analysing a Chinese character with culture , substitutes the province , unexpected turn of events , dynamiting, various different versions , practice value and theory significance affirming Chinese character pictographic characters or pictographs formbuilding on this account attaching with the concept uniting body pictographic characters or pictographs.
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