感性的体验 理性的表达——新中国音乐美学研究60年  

On Perceptual Experience and Rational Expression-60 Years of Research on Music Aesthetics in New China

作　　者：杨和平[1] 

机构地区：[1]浙江师范大学音乐研究中心

出　　处：《黄钟（武汉音乐学院学报）》2011年第4期349-364,共16页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：本文取新中国音乐美学学科构建的研究视域,总结和肯定60年来音乐美学学科所取得的理论成就,反思和检讨60年来音乐美学学科所存在的问题,探求和开拓60年来音乐美学学科发展的新空间,描绘和科学构建中国音乐美学学科体系的宏伟蓝图,具有一定的理论意义和现实价值。This article was related to the Chinese music aesthetics,and it summarized and affirmed its theorical achievements in 60 years,introspection and self-criticism of the problems existed in Chinese music aesthetics in 60 years,explored the new space for development of this subject,described and scientific constructed the system of Chinese music aesthetics,it was a certain theoretical significance and practical value.

关 键 词：中国音乐美学学科 发展 反思 

分 类 号：J601[艺术—音乐]