论《细菌》中熵性话语的后现代性  

On post-modernity of entropized discourse in The Andromeda Strain

作　　者：毛延生[1,2] 

机构地区：[1]哈尔滨工程大学外语系,哈尔滨150001 [2]黑龙江大学外国语言文学博士后流动站,哈尔滨150080

出　　处：《大连海事大学学报（社会科学版）》2011年第5期101-104,共4页Journal of Dalian Maritime University(Social Science Edition)

基　　金：黑龙江省教育厅人文社科项目(12514070);哈尔滨工程大学人才引进项目(HEUCFR1131);中国博士后科学基金面上项目(20100481032)

摘　　要：在迈克尔·克莱顿的成名之作《细菌》中,熵虽然没有正式在文中得以讨论,但却是渗透于全书的隐含叙事关键词。从后现代视角分析该部小说中的熵性话语,具体表现为三个方面:后现代话语的熵化底图隐匿于现实耗散与隐喻表征当中;后现代话语的延异拼接刻画了图灵介入的狂欢色彩以及标记突显效果;后现代话语的嬗变旨归在于揭示交际的混乱以及人际剥离。小说通过展示后现代性如何隐匿于熵性话语当中,进而说明后现代话语负载了一定的信息损耗,这折射出后现代时期个体生存的熵性寂寥。In Michael Crichton＇ s masterpiece The Andromeda Strain, entropy is an implicit narrative key word between the lines, though it isn＇ t discussed officially in the novel. The paper explored the entropized discourse from a post-modern perspective in the ensuing three aspects. First, the blue script of entropy in postmodern expressions is embedded in realistic dissipation as well as its metaphorical representation; second, the stretched coinage of postmodern expressions is targeted at Turing invasion with carnival and markedness in narration; third, the evolutionary aboutness of postmodern expressions is riveted upon revealing communicative chaos and interpersonal distancing. With postmodern expressions realizing texts of entropy, the information dissipation is betrayed to picture entropized reality, reflecting the entropized loneliness of individuals in postmodern period.

关 键 词：《细菌》熵性话语 后现代性 

分 类 号：I106.4[文学—世界文学]