花开花落:论中国现代女性解放叙事的社会想象  

On the Social Imagination Presented in the Contemporary Narration of Women Liberation in China

作　　者：宋剑华[1] 

机构地区：[1]暨南大学中文系

出　　处：《学术研究》2011年第11期142-149,160,共8页Academic Research

基　　金：教育部人文社会科学研究项目"错位的对话:论‘娜拉想象’的中国言说"(10YJA751063)之一节

摘　　要：中国现代文学的女性叙事,从其一开始便"听将令"而盲从于男权话语的思想启蒙:它先是追求婚恋自由,接下来主张职业女性,再后来又倡导革命女性。新女性形象几乎完全是按照男权意志的主观想象,去随意调整自己必须去承担的社会角色,最终都只是以消泯自身性别的"解放"要求,去无条件地臣服于男权话语的政治诉求。因此,中国现代文学的女性叙事,虽然反映了女性解放的心灵呐喊,同时也揭示了她们自觉皈依的思想矛盾,这种奇特现象无疑寓意着众多耐人寻味的复杂因素。The female topic in modern Chinese literature was blindly directed by an androcentric discourse from the very beginning.It was first presented in females' pursuit for free love and marriage,supported and chased by those career women.Then,it advocates the belief of being a revolutionary woman.The new female images shifted their social roles at random according to the men's wills.As a result,they were subject to the extermination of their social gender during the process of liberation,so that they can submit to the men's political appeal.Therefore,the female topic in contemporary Chinese literature,on one hand,reflects the spiritual yells for female liberation;on the other hand,it discovers their mental contradictions in their voluntary conversion.This typical phenomenon,undoubtedly,contains various enlightening-thought factors.

关 键 词：思想启蒙 女性解放 男权话语 社会想象 臣服与皈依 

分 类 号：I206.6[文学—中国文学]