青阳腔研究的困境与难题  

Difficulties and Problems of Study of Qingyang Opera

作　　者：纪永贵[1] 刘自圣[2] 

机构地区：[1]池州学院中文系,安徽池州247000 [2]池州学院艺术系,安徽池州247000

出　　处：《池州学院学报》2011年第5期1-7,共7页Journal of Chizhou University

基　　金：国家社科基金项目"青阳腔研究"(09BZW032)

摘　　要：青阳腔产生四百余年来,青阳腔研究成果丰实,大致可分为三个阶段,但是百年来的研究至而今已陷入困境。原因有三个方面。第一是客观原因:研究资料的缺失,第二是主观原因:研究者对资料的漠视、研究者对前人研究结论的重复、研究者学养的不足,第三是现实原因:地方利益干扰下的学术研究。青阳腔研究有五大难题:第一、青阳腔发生的民俗背景研究,第二、青阳腔传播的民俗动力研究,第三、青阳腔留存的民俗内涵研究,第四、青阳腔滚淍艺术研究,第五、青阳腔比较研究,除此五大难题之外,青阳腔研究尚有一些关目也不能忽略。It has been over 400 years since Qingyang Opera started. There are abundant research results, which fall into three stages, but the research from one hundred years ago to now get into trouble. The causes includes： first, objective cause： deficiency of research data; second, subjective cause： researchers are indifferent to the data, and repeat the former research conclusions and their learning and cultivation is inadequate; third, realistic cause： local interest interferes academic research. The research on Qingyang Opera faces five problems： first, research on the folk customs background of Qingyang Opera; second, the research on folk drive of Qingyang Opera＇s spread; third, the research on the folk connotation of Qingyang Opera reserve; fourth, the artistic research on Gun tune of Qingyang Opera; fifth, the comparative research on Qingyang Opera. Besides, the plot of Qingyang Opera cannot be neglected.

关 键 词：青阳腔研究 徽池雅调 明代四大声腔 困境与难题 

分 类 号：I207[文学—中国文学]